star wars shift from film to digital techniques

Digital dissemination of film and media scholarship has certainly been significant, especially through blogs and other forms of writing that move beyond typical formal academic formats. While most film and media historians would not call themselves “digital scholars,” we cannot ignore how the digitization of moving images has transformed our field. Additionally, the vast majority of contemporary media are primarily produced through digital means, as analog recording technologies have withered away.

The humanistic study of digital culture pervades the field of film and media studies, especially now that most media objects are either born in digital form or reborn, as with analog films being redistributed as DVDs or online streaming. Within my own field of film and media studies, however, things are a bit more muddy. Such distinctions resonate fairly well within most humanistic fields, where analyzing digital culture is typically an innovative direction, and the distinction between digital dissemination and methodology makes sense. When faced with the task of defining digital humanities to an outsider, I like to chart out three different but potentially overlapping modes of scholarship: humanistic study of digital cultural materials and practices, humanities scholarship that uses digital platforms for dissemination and presentation, and computational methods applied to humanistic topics. PART III ][ Chapter 20 Videographic Criticism as a Digital Humanities Method

Star wars shift from film to digital techniques